JUST COMING FROM OUR SOLD OUT OFF-BROADWAY OPENING WEEKEND
IN NEW YORK AND A WEEK-LONG MINI-TOUR IN IOWA AND MINNESOTA! HERE ARE SOME CHANCES TO SEE FOR YOURSELF!
IN NEW YORK AND A WEEK-LONG MINI-TOUR IN IOWA AND MINNESOTA! HERE ARE SOME CHANCES TO SEE FOR YOURSELF!
PLEASE NOTE: While it's mostly a comedy, this production includes discussions about guns, shooting, robbery, and suicide.
Synopsis
In The Gun Show, award-winning playwright E.M. Lewis tells the story of America’s relationship with guns through the prism of her own personal experiences. She starts during her youth in a rural farming community where she learns about guns from her dad, has her first date with a special person at a shooting range, and then, as life's journey takes her to 'big cities' like Los Angeles and New York, finds herself in more complicated, less upbeat, and sometimes dangerous, gun situations. Using a light, often hilarious touch, Lewis takes us across the wide social and political terrain of America's most dangerous pastime with brutal honesty and keen understanding. Leaning neither right nor left, The Gun Show jumps into the middle of the gun control debate and asks, “Can we just have a conversation about this?”
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April 26, 27; Des Moines
Saturday, April 26 @ 2:00 pm and 7:30 pm Sunday, April 27 @ 2:00 pm. Venue: Des Moines Central Public Library, Meeting Room #1 1000 Grand Avenue, Des Moines, IA, 50309
Please also review the DMCPL Parking and Entry Regulations. They are kind of complicated....
In related news....you can take our word for it, but we invite you to consider this patron's Letter to the Editor of the Des Moines Register which explains it about as well as anything else we could say:
Katie Braden in THE GUN SHOW
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TheatreMidwest relies heavily on box-office sales, fund-raising campaigns, and donations in order to maintain our level of professionalism and to support our Radical Hospitality initiatives (outreach, reducing access barriers, discount and free tickets.) If you support what we do, please consider making a donation--any and all amounts help immensely!
The Company
ACTING - TheatreMidwest: Burst, Atlas of Mud, When the Messenger is Hot. Ivy Theatre Company (NYC) Co-Founder: A Real Boy (59E59), Reach, Mill Fire, Outside/Inside, The Perfect Wife, Like Poetry (LaMaMa), Incongruence, Black Ice. The Secret Theatre (NYC): The Taming of the Shrew, The Tempest, A Midsummer Night's Dream, Mrs. Warren's Profession, Romeo and Juliet, Edward II, The Spanish Tragedie. Shakespeare Forum (NYC): The Scarlet Letter, Romeo and Juliet. Workshop Theater (NYC): Acting: Full Frontal. Directing: Turtles & Bulldogs, After, Vowed & Wowed, Food for Thought. FILM - Wherever You Go Pictures (NYC): Unpacking. EDUCATION- Gregory Abels Training Ensemble, NYC, Certificate. Simpson College, Iowa, BA Theatre Arts.
Technical Consultant: Kate Kanne
SCENIC DESIGN – Atlas of Mud (TheatreMidwest) Young Frankenstein, Last Five Years, The Hobbit, HMS Pinafore, Illusions, Rumors, (Anon)ymous, Les Liaisons Dangereuse.
COMPANIES/VENUES: TheatreMidwest, Colorado Shakespeare Festival, Prairie Repertory Theatre (SD), Highland Theatre (MN), George Daly Theatre (IA) BUSINESS: Central College - Theatrical Design Faculty Member; USITT Northern Boundaries-Board Member. EDUCATION - Minnesota State University, Mankato – MFA Design. South Dakota State University, Brookings - BA Theatre. |
TOURING (ONE-WOMAN SHOWS): Love Arm’d, Aphra Behn & Her Pen: Bedlam Theatre (Edinburgh, Scotland); Cheer from Chawton, (her play about Jane Austen)- Stockton, CA, Pleasantville, NY, Players Club (NYC); Mission Theatre (Bath, England)—and multiple visits to Mission for Jane Austen festival, culminating in a one week repertory run of Love Arm’d and Cheer From Chawton. Dozens of presentations of these pieces at colleges and theatre festivals around the USA, often with additional workshops. OTHER ACTING: New York-Kings County Shakespeare Company: Twelfth Night. Hudson Warehouse-- The Three Musketeers, The 2017 Many Faces of Love Valentine Monologue Festival, The Importance of Being Earnest; Theater Ten Ten--Innocent Diversions; MTB Studios The Madwoman of Chaillot, Vital Signs, Strawberry, Samuel French Festival Regional credits: Indiana Repertory Theatre: Great Expectations; Cornell University Resident Acting Company: The Rover, The Cherry Orchard; The Shakespeare Theatre (Washington, D.C): All’s Well That Ends Well, The Three Sisters, Summer and Smoke; Film: Modern Love. MEMBERSHIPS-WRITE ON! Playwriting Group, League of Professional Theatre Women , Heritage Committee, Women Stage the World, Blue Roses Productions (Managing Director).
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E.M. Lewis is an award-winning playwright, teacher and opera librettist. Her work has been produced around the world and is published by Samuel French/Concord Theatricals.
Lewis received the Steinberg Award for both How the Light Gets In and Song of Extinction, and the Primus Prize for Heads from the American Theater Critics Association, the Ted Schmitt Award from the Los Angeles Drama Critics Circle for outstanding writing of a world premiere play, a Hodder Fellowship from Princeton University, a playwriting fellowship from the New Jersey State Arts Commission, the 2016 Oregon Literary Fellowship in Drama, and an Edgerton Award for her epic Antarctic play, Magellanica.
Plays by Lewis include: How the Light Gets In (Steinberg Award winning play that premiered at Boston Court Pasadena in 2019), Apple Season (which received a rolling world premiere from the National New Play Network in 2019), The Gun Show (which has had more than 40 productions across the country and at the Edinburgh Fringe Festival in Scotland), Song of Extinction, Heads, Infinite Black Suitcase, Reading to Vegetables, True Story, Dorothy’s Dictionary and You Can See All the Stars (a play for college students commissioned by the Kennedy Center).
Sherlock Holmes and the Case of the Fallen Giant, a new opera commissioned by American Lyric Theater that Lewis wrote with composer Evan Meier, had its academic premiere in 2023 at Portland State University and its professional world premiere at Opera Modesto in 2024. Town Hall, her opera about health care in America, created with composer Theo Popov, was produced at University of Maryland and Willamette University.
Lewis is currently working on a variety of projects, including a big new play called The Great Divide, commissioned by the Oregon Shakespeare Festival as part of their American Revolutions program, co-commissioned by Artists Repertory Theater. Lewis received a six-year National Playwright Residency from the Mellon Foundation to support her work.
Lewis is a proud member of LineStorm Playwrights and the Dramatists Guild. She lives on her family’s farm in Oregon.
Lewis received the Steinberg Award for both How the Light Gets In and Song of Extinction, and the Primus Prize for Heads from the American Theater Critics Association, the Ted Schmitt Award from the Los Angeles Drama Critics Circle for outstanding writing of a world premiere play, a Hodder Fellowship from Princeton University, a playwriting fellowship from the New Jersey State Arts Commission, the 2016 Oregon Literary Fellowship in Drama, and an Edgerton Award for her epic Antarctic play, Magellanica.
Plays by Lewis include: How the Light Gets In (Steinberg Award winning play that premiered at Boston Court Pasadena in 2019), Apple Season (which received a rolling world premiere from the National New Play Network in 2019), The Gun Show (which has had more than 40 productions across the country and at the Edinburgh Fringe Festival in Scotland), Song of Extinction, Heads, Infinite Black Suitcase, Reading to Vegetables, True Story, Dorothy’s Dictionary and You Can See All the Stars (a play for college students commissioned by the Kennedy Center).
Sherlock Holmes and the Case of the Fallen Giant, a new opera commissioned by American Lyric Theater that Lewis wrote with composer Evan Meier, had its academic premiere in 2023 at Portland State University and its professional world premiere at Opera Modesto in 2024. Town Hall, her opera about health care in America, created with composer Theo Popov, was produced at University of Maryland and Willamette University.
Lewis is currently working on a variety of projects, including a big new play called The Great Divide, commissioned by the Oregon Shakespeare Festival as part of their American Revolutions program, co-commissioned by Artists Repertory Theater. Lewis received a six-year National Playwright Residency from the Mellon Foundation to support her work.
Lewis is a proud member of LineStorm Playwrights and the Dramatists Guild. She lives on her family’s farm in Oregon.